AI PROMPT · 336
动态口语诗电影提示词
创建一部时长为 20.00 秒的动态口语诗电影，标题为 “BUILD THE FLOOR”。将其视为一场完全通过排版呈现的原创微型演讲。每一行文字都改变画面的架构。最终的宣言必须建立在早期文字物理构建的基础之上。交付一个独立的 HTML 文件，分辨率为 1080×1080，目标帧率为 60fps，使用 SVG 和/或 Canvas。嵌入所有必需的资源。 ART DIRECTION（艺术指导） 背景色 #102820。纸张色 #F4E9D5。结构强调色 #F2B544。营造一种具有公共纪念碑般规模与自信感的文学编辑风格世界。演讲部分使用高对比度衬线字体，承重词汇使用粗体无衬线字体，小型时间标记使用克制的等宽字体。避免使用破旧的抗议海报陈词滥调、扩音器、旗帜、人群、麦克风或库存素材视频。 ORIGINAL SPEECH — EXACT WORDS, EXACT ORDER（原始演讲 — 精确文字，精确顺序） “We were told to wait.” “So we learned the weight of waiting.” “Then one voice made room.” “Then another.” “Now the floor belongs to us.” 不要将这些话语归于任何真实人物。不要添加额外的口号。完整的演讲必须在没有音频的情况下也能被理解。 CENTRAL VISUAL RULE（核心视觉规则） 文字被赋予建筑角色。WAIT 是横梁。WAITING 是悬挂负载。VOICE 是支撑柱。ROOM 是开口。FLOOR 是平台。这些角色必须从实际的字母形态中浮现，而不是通过放置在文字后面的独立插图来表现。 STORYBOARD（分镜脚本） 0.00–3.00 “We were told to wait.” 句子占据巨大 WAIT 下方的狭窄水平开口。开口缓慢压缩，同时句子保持可读性。压力来自布局，而非镜头晃动。 3.00–6.50 “So we learned the weight of waiting.” 按口语短语组揭示句子。WAITING 在两条细垂直线上下降。这些线条变成悬索。基线在视觉负载下弯曲，使用受控的矢量变形。 6.50–10.00 “Then one voice made room.” VOICE 垂直进入并旋转成结构支撑。它抬起基线的一端。ROOM 中 O 的字腔变成一个光圈。下一个构图通过该光圈展现。 10.00–12.50 “Then another.” 第二个支撑柱到达。倾斜的结构变得水平。这是电影中第一个完美水平对齐的时刻。使用短暂的静止使这种变化显得来之不易。 12.50–16.00 “Now the floor belongs to us.” 早期的结构词汇组装成一个平台。最终句子落在其上。US 通过共享对齐和比例获得强调，绝不通过单独的炫技效果。 16.00–18.00 保持完整的宣言状态。轻微的张力释放穿过支撑线。没有新文本。没有不安分的装饰性运动。 18.00–20.00 摄像机在完成的平台下方移动。其底面填满画面并变成开场的 WAIT 横梁。在全遮挡状态下，将隐藏元素恢复到初始位置。揭示确切的开场构图。 CHOREOGRAPHY（编排） 不要强行让演讲配合舞蹈节拍。使用基于短语、停顿和强调的提示表。短语揭示应遵循阅读顺序。允许至少一个 400ms 的绝对静止时刻。对沉降负载使用临界阻尼运动。仅对基线使用受控弹性变形。让可用空间的变化承载情感进程。 TYPE IMPLEMENTATION（字体实现） 对结构词汇使用实际的字形路径。保留字腔。
VIDEO PREVIEW
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PROMPT
Create a 20.00-second kinetic spoken-word film titled “BUILD THE FLOOR.” Treat this as an original miniature speech staged entirely through typography. Every line changes the architecture of the frame. The final declaration must stand on something the earlier words physically constructed. Deliver one self-contained HTML file, 1080×1080, targeting 60fps, using SVG and/or Canvas. Embed all required assets. ART DIRECTION Background #102820. Paper #F4E9D5. Structural accent #F2B544. A literary editorial world with the scale and confidence of a public monument. Use a high-contrast serif for the speech, a heavy grotesque for load-bearing words, and a restrained monospace for small timing marks. No distressed protest-poster clichés, megaphones, flags, crowds, microphones, or stock footage. ORIGINAL SPEECH — EXACT WORDS, EXACT ORDER “We were told to wait.” “So we learned the weight of waiting.” “Then one voice made room.” “Then another.” “Now the floor belongs to us.” Do not attribute these words to any real person. No extra slogans. The complete speech must be understandable without audio. CENTRAL VISUAL RULE Words have assigned architectural roles. WAIT is a lintel. WAITING is a suspended load. VOICE is a support. ROOM is an opening. FLOOR is a platform. These roles must emerge from the actual letterforms, not from separate illustrations placed behind text. STORYBOARD 0.00–3.00 “We were told to wait.” The sentence occupies a narrow horizontal opening beneath a massive WAIT. The opening slowly compresses while the sentence remains readable. The pressure comes from the layout, not camera shake. 3.00–6.50 “So we learned the weight of waiting.” Reveal the sentence in spoken phrase groups. WAITING lowers on two fine vertical rules. Those rules become suspension cables. A baseline bends under the visual load using a controlled vector deformation. 6.50–10.00 “Then one voice made room.” VOICE enters vertically and rotates into a structural support. It lifts one end of the baseline. The counter of the O in ROOM becomes an aperture. The next composition is revealed through that aperture. 10.00–12.50 “Then another.” A second support arrives. The tilted structure levels. This is the first moment of perfect horizontal alignment in the film. Use a brief stillness to make the change feel earned. 12.50–16.00 “Now the floor belongs to us.” Earlier structural words assemble into a platform. The final sentence settles onto it. US receives emphasis through shared alignment and scale, never through a separate flashy effect. 16.00–18.00 Hold the complete declaration. A slight release of tension travels through the supporting rules. No new text. No restless decorative motion. 18.00–20.00 The camera tracks beneath the completed platform. Its underside fills the frame and becomes the opening WAIT lintel. Under full occlusion, return hidden elements to their initial positions. Reveal the exact opening composition. CHOREOGRAPHY Do not force the speech onto a dance beat. Use a cue sheet based on phrases, pauses, and emphasis. Phrase reveals should follow reading order. Allow at least one 400ms moment of absolute stillness. Use critically damped motion for settling loads. Use controlled elastic deformation for the baseline only. Make the changes in available space carry the emotional progression. TYPE IMPLEMENTATION Use actual glyph paths for structural words. Preserve counters and legibility during deformation. For transitions between unrelated words, use occlusion or matched structural edges; do not interpolate arbitrary path points. Keep the currently spoken phrase readable before it becomes architecture. ENGINEERING Implement window.seek(t) as a deterministic scene renderer. No accumulated physics, autonomous CSS transitions, or changing random values. Use time-remapping curves and analytic transforms. Use a 20-second periodic timeline with render(0)=render(20). Provide fixed-step access at n/60 for 1200 export frames. Audio is optional and off by default; no browser speech synthesis or autoplay dependency. QUALITY GATE Inspect eight representative frames. Check that the speech reads in the correct order. Check that structural transformations never destroy a line before the audience can read it. Check the final platform is visibly assembled from earlier elements. Return the complete HTML implementation.